Comparing Reactions to Industrialism in Frankenstein and The Communist

Reactions to Industrialism in Frankenstein and The commie Manifesto The root word changes of the nineteenth vitamin C were un standardised any the world had seen before. A mind of these changes were felt by all in galore(postnominal) aspects not just politically, but in social and cultural means as well. When bloody shame Shelleys Frankenstein was published in 1831, it was clear that many gen terml elements of the romanticist era were well reflected. Similarly, Karl Marx and Frederick Engels The Communist Manifesto appe atomic number 18d in 1848, a time of commodious national political revolutions throughout europium. While textually these historic nineteenth century texts have little in common, it is clear however that they both are strong reactions to previous movements of European society. Underlying Shelleys Frankenstein are strong uses of romanticism, whereas The Communist Manifesto is undoubtedly opposing the consequences of the industrial revolution in Euro pe both reactions of the past, yet effective in starkly different vogues. Frankenstein, like other English Romantics, placed great emphasis on the precedent of nature. The Arve Ravine, and the Valley of Chamounix exemplify the harmony and beautiful serenity of nature, and add to the romantic quality of the novel while sharply contrasting with the chaos of Victors dissipated mind. The Romantic movement can be seen as a complain against the rapid industrialization that was occurring in England at the time of Frankensteins publication. While many interpretations are plausible, the novel depicts the fear that technology (and the human obsession with technology) would in conclusion prove disastrous. The characters of Walton and Frankenstein are shaped by Romantic idealism, as manifested in their ... ...r a classless, productive, industrial society that was beneficial to all, the mere recognition of capacity in numbers and class solidarity were fundamentally effective and paved the way not only for future governments but for future laborers. Works Cited Lowe-Evans, bloody shame. Frankenstein Mary Shellys Wedding Guest. forward-looking York Twayne Publishers, 1993. Marx, Karl. Communist Manifesto. Birth of the Communist Manifesto. Ed. Dirk J. Struik. New York International, 1971. 85-125. Oates, Joyce Carol. Frankenstein foot as Catastrophe. Mary Shellys Frankenstein. Ed. Harold Bloom. New York Chelsea House Publishers, 1987. Shelly, Mary. Frankenstein Or the Modern Prometheus. New York Penguin Books, 1978. Tropp, Martin. Mary Shellys Monster. Boston Houghton Mifflin, 1976.