Monday, February 4, 2019
Chicago Gangs :: Gang Essays
From the late 1800s up through the present date, tuneful theater theater has changed. Though customs and love for the theater will evermore be carried on, origins, trends, and styles will change throughout time.The the Statesn musical was innate(p) long before European operetta crossed the Atlantic. In The American Musical Stage Before 1800. Julian Mates tells us that Americas early theatres were essentially lyric theatresIn America, no front dramatic forms existed, and the musical stage became our only tradition (musicals101.com). During Americas first hundred years, the favorite musical entertainments during the time were variety musical shows. In the 1860s and 70s, Pantomime was a the main Broadway staple. In these types of shows, clown characters were taken and placed in p loads based on scram Goose stories. Also seen was the insertion of popular songs whenever the audience needed a breather. The Pantomime form disappeared completely from American stages by 1880.From 1879 u ntil 1884 the variety squad of Edward Harrigan and Tony Hart produced and performed in musical farces set on the streets of New York. The main focus of the shows was on lower class immigrant life, depicting real-life problems as assorted tensions, political corruption and gang violence. Harrigan and Hart are shell cognize as the creators of musical comedy. They made these problems into harmless humor. Harrigan and Harts shows had piles in the style of contemporary popular music with simple melodies and lyrics, lots of sentiment and a wry sense of street-smart humor (musicals 101.com).In 1878, gigabyte and Sullivans HMS Pinafore premiered in the United States. Their arrival sparked an overwhelming reception from the large number, the craze that was, was known as Pinafore-Mania. The songs that were sung in the show became the phrase of the people, and became part of eitherday conversation. Even though it seemed all was good, some were non pleased and happy with the two inva ders. In the century since Gilbert and Sullivan, people on both sides of the Atlantic have bitched about invasions coming from the opposite side. America and Britain have continually sent each other their best shows for over a hundred years. If the balance tilts a bit every now and then, no matter it will shift again (musical 101.com). With the harvest-time of the American cities and with the Industrial Revolution going on, the theater-fans were becoming more sophisticated. With this, the native musical entertainment, due to the success of Gilbert and Sullivan, looked second rate.
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